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Now on to Week 2...thanks for looking!
Showing posts with label layouts. Show all posts
Showing posts with label layouts. Show all posts
Tuesday, February 10, 2015
First week of LOAD215 complete!
One down, three to go. I must admit, I've gotten very little sleep, but I'm still functioning so that's good! I'm pretty happy with what I've done so far. Some are more inspired than others, some will need a little tweaking when this is all over, some have made it JUST under the wire timewise; but I'm seven for seven and on a roll. Here are my Week 1 layouts:
Now on to Week 2...thanks for looking!
Now on to Week 2...thanks for looking!
Saturday, January 24, 2015
Catching up (results from LOAD1014) and looking ahead...
I did it! I completed LOAD 1014. And then forgot to blog about it :P So as I look ahead to another LOAD in February, I thought I'd first look back and catch up...
October was busy, with half of my time in Ohio and half in Minnesota! I started out well trying to get layouts done earlier in the day, but as life got busy I found myself again starting layouts at 10:00 at night. I do tend to work better at night, though, so I guess that's not all bad. But I didn't get much sleep! And 12-hour travel days tend to make it tough, too. At least once I was in the central time zone I only had until 2:00 a.m. to finish, so I wasn't up quite as late. I did finish on time, though, and I'm happy about that. Here is the result:
October was busy, with half of my time in Ohio and half in Minnesota! I started out well trying to get layouts done earlier in the day, but as life got busy I found myself again starting layouts at 10:00 at night. I do tend to work better at night, though, so I guess that's not all bad. But I didn't get much sleep! And 12-hour travel days tend to make it tough, too. At least once I was in the central time zone I only had until 2:00 a.m. to finish, so I wasn't up quite as late. I did finish on time, though, and I'm happy about that. Here is the result:
I love seeing all of the layouts together like this, and the big stack is quite satisfying. Overall it was one of my favorite LOADs, the Scrap Happy ladies that led it did an incredible job, and the "family" support was so appreciated.
The other awesome online community that I'm a part of is at Get It Scrapped. I haven't had as much time lately to spend over there, but it's a great resource for education, information, support, friendship, and just plain hanging out. Another great bunch of ladies, and SO much talent! I'm so honored to be a part of the Creative Team there. I've had layouts in several blog posts over the past few months. Check out these articles:
Also check out the other articles on the blog. There is so much great information there. Then head on over to the Forum and Gallery. Stop in, say hi, ask a question. It's a very welcoming community!
Saturday, August 3, 2013
Time to Get a "Real Job"
Cityscapes are one of the newest trends in scrapbooking. One of my first assignments for the Get It Scrapped Creative Team was to make a layout using the cityscape trend in an interesting way (something other than a photo of a city skyline). Check out this article, Scrapbooking Ideas for Using the Trendy Cityscape Motif, showing my take on the assignment along with other Creative Team members' interpretations. It's fun to see how different designers with different styles interpret the assignment so differently.
For my assignment I knew that I wanted to do a layout about my oldest son, Aaron, entering the "real world" workforce on a full-time basis for the first time. I'm so proud of his accomplishments and wanted to brag on him just a bit :) So many college graduates have difficulty finding a full-time job in their field, either because the market is bad or because they still really don't know what they want to do. So I think it's pretty awesome that he was able to get a couple of good job offers and was able to choose one that he feels suits him well in a company that has done well at weathering the ups and downs of the economy. Aaron will be working as a structural engineer - that is, designing buildings and other structures - and he will be working in the Twin Cities (MN), so I felt that a cityscape background was very appropriate. I know that there are several patterned papers that show cityscapes, but I decided to make my own background paper. My background would show the impression of a city without being very specific to any one city. I've used this technique in the past with other shapes and knew it would work well here. So here is what I did:
As you can see, I did experiment a bit first on plain cardstock and I loved how it turned out, but I decided I wanted to use a subtle print as my base. I have some grid papers from Studio Calico that I just love (I love graph paper and shapes in general); I chose one that had straight and diagonal lines that reminded me of the connectors that Aaron was designing during his internship. The pattern is dark enough to add interest, but also subtle enough to work with my stenciling. I left off the triangles at the top - it was supposed to be another bridge but I felt it looked more like pyramids.
Once I completed my layout I added windows on some of the buildings. I felt that it needed something because it seemed to me that the cityscape was a little lost (I wish that I'd made the buildings just a bit taller) and the windows were just the thing. I only put them on some of the buildings, partly because I was lazy! but more because I wanted to keep the attention centered on the photos and journaling, and really only a few were needed to create the impression of the cityscape. Here is my final layout:
Just a note: When I did the experimenting I used a Colorbox cat's eye shaped chalk ink pad (since that's what I had handy). Although I kind of liked the subtle streaks that it produced, it was harder to hang onto so a couple of times it was pulled out of my fingers - that's what created the dark splotches - and before too long the pad pulled apart from the base. So for my final layout I used Distress Inks (I blended Black Soot and Iced Spruce) on an ink blending tool (from Ranger) and that was much easier to handle. I really think it could be done with pretty much any ink pad as long as you're sure to start on the template. Different pads would probably produce different amounts of streaking (which could be cool) but for the smoothest result I think the ink blending tool works best.
For my assignment I knew that I wanted to do a layout about my oldest son, Aaron, entering the "real world" workforce on a full-time basis for the first time. I'm so proud of his accomplishments and wanted to brag on him just a bit :) So many college graduates have difficulty finding a full-time job in their field, either because the market is bad or because they still really don't know what they want to do. So I think it's pretty awesome that he was able to get a couple of good job offers and was able to choose one that he feels suits him well in a company that has done well at weathering the ups and downs of the economy. Aaron will be working as a structural engineer - that is, designing buildings and other structures - and he will be working in the Twin Cities (MN), so I felt that a cityscape background was very appropriate. I know that there are several patterned papers that show cityscapes, but I decided to make my own background paper. My background would show the impression of a city without being very specific to any one city. I've used this technique in the past with other shapes and knew it would work well here. So here is what I did:
As you can see, I did experiment a bit first on plain cardstock and I loved how it turned out, but I decided I wanted to use a subtle print as my base. I have some grid papers from Studio Calico that I just love (I love graph paper and shapes in general); I chose one that had straight and diagonal lines that reminded me of the connectors that Aaron was designing during his internship. The pattern is dark enough to add interest, but also subtle enough to work with my stenciling. I left off the triangles at the top - it was supposed to be another bridge but I felt it looked more like pyramids. Once I completed my layout I added windows on some of the buildings. I felt that it needed something because it seemed to me that the cityscape was a little lost (I wish that I'd made the buildings just a bit taller) and the windows were just the thing. I only put them on some of the buildings, partly because I was lazy! but more because I wanted to keep the attention centered on the photos and journaling, and really only a few were needed to create the impression of the cityscape. Here is my final layout:
Just a note: When I did the experimenting I used a Colorbox cat's eye shaped chalk ink pad (since that's what I had handy). Although I kind of liked the subtle streaks that it produced, it was harder to hang onto so a couple of times it was pulled out of my fingers - that's what created the dark splotches - and before too long the pad pulled apart from the base. So for my final layout I used Distress Inks (I blended Black Soot and Iced Spruce) on an ink blending tool (from Ranger) and that was much easier to handle. I really think it could be done with pretty much any ink pad as long as you're sure to start on the template. Different pads would probably produce different amounts of streaking (which could be cool) but for the smoothest result I think the ink blending tool works best.
Friday, July 12, 2013
Inspired by Art Deco - my first layout for Get It Scrapped!
I'm so excited to be able to share my first Creative Team assignment published at Get It Scrapped! The assignment was to create a layout inspired by some aspect of art deco design. I love the art deco style, especially the architecture, so I knew that it would be easy to find inspiration there. I immediately knew that I wanted to do a layout about Cleveland's West Side Market. My son Aaron and I had recently visited there when he was home for a couple of weeks, and I had some really great pictures that I wanted to showcase.
Pinterest was a great source for art deco images, and as I browsed the images several trends became apparent: a lot of metals mixed with black and/or bright colors; symmetrical designs with clean, geometric lines; unique typefaces. I wanted to include a lot of small photos, but also needed to keep it very clean and streamlined to reflect the art deco style.
I chose to use this piece as my primary source of inspiration: http://how-do-it.inf...o_texture_idea/. By using a design such as this, keeping the layout symmetrical and the elements in strict vertical lines, I knew I could use many photos without it looking chaotic. I used solid cardstock in colors that kept popping up in the Pinterest galleries - blue, accents of red, and silver outlined in black - to keep the focus on the photos and the story I wanted to tell. Here is what I came up with:
For more information about my layout and art deco design and to see how other designers used their art deco inspiration, check out the article, Scrapbook Page Design Inspired by the Art Deco Style at Get It Scrapped.
Pinterest was a great source for art deco images, and as I browsed the images several trends became apparent: a lot of metals mixed with black and/or bright colors; symmetrical designs with clean, geometric lines; unique typefaces. I wanted to include a lot of small photos, but also needed to keep it very clean and streamlined to reflect the art deco style.
I chose to use this piece as my primary source of inspiration: http://how-do-it.inf...o_texture_idea/. By using a design such as this, keeping the layout symmetrical and the elements in strict vertical lines, I knew I could use many photos without it looking chaotic. I used solid cardstock in colors that kept popping up in the Pinterest galleries - blue, accents of red, and silver outlined in black - to keep the focus on the photos and the story I wanted to tell. Here is what I came up with:
For more information about my layout and art deco design and to see how other designers used their art deco inspiration, check out the article, Scrapbook Page Design Inspired by the Art Deco Style at Get It Scrapped.
Friday, June 14, 2013
Attending Office Hours
I've been very busy lately with creating layouts for Get It Scrapped, but I can't show those yet. You'll have to check back in a few weeks to see what I've come up with, but I will say, I love the layouts! Between Get It Scrapped's weekly articles, the design classes (there and at Masterful Scrapbook Design), the galleries, and their Pinterest boards, there is SO much inspiration to be found! Although I was a bit stressed out (there are some incredibly talented ladies on this creative team!), I have one month under my belt and feel a bit better now.
Anyhow, despite the fact that I can't share my assignment layouts yet, I have also been attending most of the webinars and "office hours" that are included in Masterful Scrapbook Design's bimonthly seminars. This month's seminar was "Make It Mean" and focused on really adding meaning to a scrapbook page through journaling, of course, but also with the other elements on the page such as photos, embellishments, title, etc. -- making all aspects of the page support and enhance the overall message of the page to give it more meaning. (Click here to view more details) THESE. ARE. AWESOME! Besides getting to "hang out" with talented and knowledgeable ladies, it's so interesting to listen to the contributing designers and find out why they designed a layout in the way they did. And during Office Hours, anyone who wants to can share a layout to get helpful critiques, suggestions for improvement, help when they're stuck for ideas, or just to show what they've done. It's a no-stress, supportive environment, but if you want it to, it goes beyond just the "nice layout" comments; Debbie Hodge, the guest instructor(s), and the other attendees discuss not only what they like but why they like it (and knowing the 'why' helps to apply the same principles in the future!), and if you want (but only if you want) they'll also give suggestions for improvement. And the awesome thing is, they do it without forcing their particular style on anyone else; instead they give suggestions that work with any style.
Can you tell that I'm hooked??? My favorite Office Hours so far took place yesterday. It featured the awesome Emily Pitts and Paula Gilarde - okay I'm partial to them since they taught the Guided Design Critique Workshops of which I was a part, but they are so good at explaining the what's and why's of what makes a great layout, and I've learned a ton from them. Despite some rare technical difficulties and an outburst from me (I was actually talking to my son about a deer in our backyard but didn't realize that my microphone had been turned on at just that second!) which hopefully was edited from the recording (insert embarrassed face!), it was an awesome session. They always have such helpful ideas for tweaking a good layout and making it great, and this session was no exception! I was able to share a layout of mine, which incidentally was inspired by an inspiration challenge on Paula's blog - a design and layout I've had in mind to do for several weeks and finally put together. Here's the original layout I shared, which I think was pretty good:
It went together very quickly and certainly told my story, but I knew it could use a few adjustments. Based on the critiques I received, here is the final layout - not much different, but definitely better. For instance, I love these Thickers from American Crafts that I used for the title, but they were a bit difficult to read; so I cut little slits in the e's, f, and g and now they are much more readable. (Just goes to show that you don't have to settle for exactly what you get in letters - they can be colored, cut, combined, and altered in lots of ways to make them fit your purpose.)
It often helps to have someone else look at it with fresh eyes. They'll point out things to change that I'll think, "Duh, why didn't I see that? - now it's so obvious!"
Click here to check out Get It Scrapped...you can even get a free e-book to get started and get a feel for what they have to offer! Also check out Masterful Scrapbook Design for the "Make It Mean" and other seminars - monthly, 6-month, and 12-month subscriptions, as well as back issues, are available.
Anyhow, despite the fact that I can't share my assignment layouts yet, I have also been attending most of the webinars and "office hours" that are included in Masterful Scrapbook Design's bimonthly seminars. This month's seminar was "Make It Mean" and focused on really adding meaning to a scrapbook page through journaling, of course, but also with the other elements on the page such as photos, embellishments, title, etc. -- making all aspects of the page support and enhance the overall message of the page to give it more meaning. (Click here to view more details) THESE. ARE. AWESOME! Besides getting to "hang out" with talented and knowledgeable ladies, it's so interesting to listen to the contributing designers and find out why they designed a layout in the way they did. And during Office Hours, anyone who wants to can share a layout to get helpful critiques, suggestions for improvement, help when they're stuck for ideas, or just to show what they've done. It's a no-stress, supportive environment, but if you want it to, it goes beyond just the "nice layout" comments; Debbie Hodge, the guest instructor(s), and the other attendees discuss not only what they like but why they like it (and knowing the 'why' helps to apply the same principles in the future!), and if you want (but only if you want) they'll also give suggestions for improvement. And the awesome thing is, they do it without forcing their particular style on anyone else; instead they give suggestions that work with any style.
Can you tell that I'm hooked??? My favorite Office Hours so far took place yesterday. It featured the awesome Emily Pitts and Paula Gilarde - okay I'm partial to them since they taught the Guided Design Critique Workshops of which I was a part, but they are so good at explaining the what's and why's of what makes a great layout, and I've learned a ton from them. Despite some rare technical difficulties and an outburst from me (I was actually talking to my son about a deer in our backyard but didn't realize that my microphone had been turned on at just that second!) which hopefully was edited from the recording (insert embarrassed face!), it was an awesome session. They always have such helpful ideas for tweaking a good layout and making it great, and this session was no exception! I was able to share a layout of mine, which incidentally was inspired by an inspiration challenge on Paula's blog - a design and layout I've had in mind to do for several weeks and finally put together. Here's the original layout I shared, which I think was pretty good:
It went together very quickly and certainly told my story, but I knew it could use a few adjustments. Based on the critiques I received, here is the final layout - not much different, but definitely better. For instance, I love these Thickers from American Crafts that I used for the title, but they were a bit difficult to read; so I cut little slits in the e's, f, and g and now they are much more readable. (Just goes to show that you don't have to settle for exactly what you get in letters - they can be colored, cut, combined, and altered in lots of ways to make them fit your purpose.)
It often helps to have someone else look at it with fresh eyes. They'll point out things to change that I'll think, "Duh, why didn't I see that? - now it's so obvious!"
Click here to check out Get It Scrapped...you can even get a free e-book to get started and get a feel for what they have to offer! Also check out Masterful Scrapbook Design for the "Make It Mean" and other seminars - monthly, 6-month, and 12-month subscriptions, as well as back issues, are available.
Saturday, June 1, 2013
Get It Scrapped CT Blog Hop
Hello and welcome to the Get It Scrapped Creative Team Blog Hop!
I am SOOO excited to announce that I will be joining the Get It Scrapped Creative Team beginning today, June 1st. This is my first creative team position, so I must admit that I'm a little nervous about the whole thing, but I'm also super excited! And I think that this is a great place to start. I love the Get It Scrapped/Masterful Scrapbook Design community because it feeds my desire to learn and grow. There is so much incredibly meaty information at these two websites and so many opportunities to receive feedback and constructive help.For instance, do you struggle with how to include journaling on your scrapbook page? When it comes down to it, one of my main reasons for scrapbooking is to record stories and memories, so that requires journalling. I could just put it onto the page anywhere there's room, but I like it much better when it fits in with the overall design of the page. This article from Get It Scrapped, 5 Ways to Make Scrapbook Page Journaling A Dynamic Part of Your Visual Design, discusses making journaling a part of the page design, and it gives some awesome ideas and examples. I've tried to incorporate these ideas in all of my pages lately, and here's just one example:
(Yup, that's me when I was about 6 years old.) I also took inspiration from one of the Get It Scrapped Pinterest inspiration boards (Inspo: Covers Book & Magazines) and used this book cover as my starting point. Although the book cover doesn't look much like the final layout, you can see hints of it in the vertical column of the poem and photo.
I'm also excited that I get to offer you a discount on the Typography issue from Masterful Scrapbook Design - how cool is that??
Save 60% off of the Masterful Scrapbook Design Issue – Typography
Join guest teachers Anna Aspnes, Paula Gilarde, Emily PItts, Lisa Dickinson, and Tiffany Tillman as they show how to
use type as focal point, embellishment,
title, and backdrop, and give you ideas and how-tos for both paper and digital
scrapbook pages. Learn from these designers who rock the typography on their own scrapbook pages.
Use coupon code giscttsmf60p to grab this issue for 60% off thru
midnight ET June 3rd
***Just place the Typography issue of Masterful
Scrapbook Design in your cart and apply the coupon code above.***
For more ideas and discounts from the Get It Scrapped Creative Team keep on hopping, using the links
below!
Amy Kingsford
Sue Althouse
Michelle Houghton and Deborah Wagner
Marie-Pierre Capistran
Christy Strickler
Heather Awsumb
Michelle Hernandez
Lise Mariann Alsli
Alexis Aragona
Kristy T
Stefanie Semple
Audrey Tan
Sian Fair
Brenda Becknell
Carrie Arick
Kiki Kougioumtzi
Tara McKernin
Susanne Brauer
You Are Here >>>Marcia Fortunato <<<You Are Here
Katie Scott
Andrea
Rosann Santos-Elliott
Doris Sander
Celeste Smith
Sue Althouse
Michelle Houghton and Deborah Wagner
Marie-Pierre Capistran
Christy Strickler
Heather Awsumb
Michelle Hernandez
Lise Mariann Alsli
Alexis Aragona
Kristy T
Stefanie Semple
Audrey Tan
Sian Fair
Brenda Becknell
Carrie Arick
Kiki Kougioumtzi
Tara McKernin
Susanne Brauer
You Are Here >>>Marcia Fortunato <<<You Are Here
Katie Scott
Andrea
Rosann Santos-Elliott
Doris Sander
Celeste Smith
Enjoy your weekend!!!
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